Farscape

John S. Drew's picture

So, I watched the first episode again, having decided to try my hand at the series for the first time since its premiere.  (No comments from the peanut gallery of Lipinski, Lipinski, and Lipinski).  I only watched a handful of episodes when it first premiered.  I wasn't impressed with the series and never went back to it despite the urgings of Orenthal and Keith.  I just didn't get it, but since the series can be streamed on Netflix (All hail Netflix), I figured I'd give it another go.

The pilot episode stood out to me in a number of ways.  First of all, it looks like real money was spent on sets, costumes, and the animatronics.  Now, I know one can say it was spent on Battlestar Galactica, but when you look at the rest of Syfy's stock, this show still stands out today.  And when you look at ABC's piss poor set design in V where it is obviously a blue screen background, then I have to give kudos to Farscape.

In regards to the story, it did what it was supposed to do, set up the series and offer some plot strings that will hopefully be pulled on as the series progresses.  One problem I had was that only two of the actors stood out in the episode, that being Ben Browder and Virginia Hey.  The former was surprising as quite often, as with set design and such, the lead actors in a Syfy production don't stand out.  Weakest of all was Anthony Simcoe who looked like he was coming to grips with having to act with the makeup he was wearing (which was fantastic and still holds up today).  From the way I hear talk of the character from fans, I'm guessing he's going to get better as he goes along, ala Michael Dorn as Worf in Star Trek.

I was certainly impressed enough with the first episode to continue watching and do feel that this show has stood the test of time so far.  On the strength of the first episode alone, it also stands above much of the genre fare today.

Onward to episode two this Friday.

John S. Drew's picture

Season Three Question

I'm working my way through season two at the moment, but my question is about the third season.  I have this cool, new iPhone app that lists episodes and their original airdates.  I noticed that the final four episodes of the third season didn't air until nearly a year later.  Was there some doubt at the time about the return of Farscape?  I see the fourth and final season was a complete 22 episodes and ran as usual, but this gap in the third season seems really weird.

John
Creator, Producer, All Around God-Like Being
"What?  Too much?"

John S. Drew's picture

LEXX

Did anyone watch this show?  I somewhat remember it being on around the same time as Farscape and thought of it as Farscape on acid.  I don't know how many seasons it ran, but four of them are on Netflix now, so I thought I'd give it a try as the first season was only four episodes long.

John
Creator, Producer, All Around God-Like Being
"What?  Too much?"

John S. Drew's picture

Netflix - Oh, Dear

Just happened to look at my Netflix queue for Farscape and noticed that the episodes listed aren't in order of broadcast.  I'll try to correct that for future reviews.

Still, love my Netflix.

John
Creator, Producer, All Around God-Like Being
"What?  Too much?"

John S. Drew's picture

"They've Got a Secret"

Another ship in a bottle episode, one of many in these early episodes.  It's funny, when the crew leave the ship, we're not disappointed in the visuals, but in these early episode, they are few and far between, most likely as a cost cutting meaasure.

The thing is, this has to be my favorite episode viewed so far.  And in viewing it, I finally get the appeal of D'Argo.  We get a better look into his background and see how there is more to this warrior than meets the eye.  I love how he's managed to assign people from his past on the crew based on how he views that crewmember.  An awesome story and definitely a hopeful sign of the things I hear about this show.

John
Creator, Producer, All Around God-Like Being
"What?  Too much?"

John S. Drew's picture

"DNA Mad Scientist"

Now, here's another episode using a convention that science fiction television abuses to the point that CPS should be called - DNA manipulation.  Unlike the previous episode, "That Old Black Magic", nothing new is really done in this episode with the idea.  It allows Claudia Black to act even more alien and weird, but that's about it.  I found myself drifting away from the viewing quite often.  One of the letdowns.

John
Creator, Producer, All Around God-Like Being
"What?  Too much?"

John S. Drew's picture

"That Old Black Magic"

Going to start playing catch-up here.

 

I'm not a fan when magic is introduced to science fiction.  Most writers who do it on television really play up the corniness of magic.  In this episode though, Richard Manning does a nice job of not having the magic overwhelm the story.  I also like that this is basically Farscape's "Arena" episode.  I wasn't as impressed with the B story of Zhann, but I liked the way it tied in nicely at the end with Crichton's story.

John
Creator, Producer, All Around God-Like Being
"What?  Too much?"

John S. Drew's picture

"Thank God It's Friday Again"

I'm backlogged on recording my thoughts, but it's interesting how the next three episodes I'm going to talk about follow up on something Hawk mentioned in our interview with Rockne O'Bannon.

This episode, and the two that follow, take the sci-fi conventions that we see in many of our favorite series and turn them on their ear.  Here, we have the peaceful, idyllic setting where one could easily lose themselves and forget all their troubles that hides a dark secret.

I'm not going to spoil it for anyone other than to say you can't go wrong with exploding pee, but I found myself engrossed in the episode despite initially groaning at the instant recognition of the trope.

John
Creator, Producer, All Around God-Like Being
"What?  Too much?"

John S. Drew's picture

"PK Tech Girl"

Meh.  This is the first episode that bored me.  I kept looking at my watch and playing Bejeweled to pass the time.  I can't explain it.  Maybe I wasn't in the mood to watch an episode, but it didn't hold my attention.

Weird as I seem to recall this being a popular episode with the fans, or am I incorrect?

John
Creator, Producer, All Around God-Like Being
"What?  Too much?"

John S. Drew's picture

"Throne for a Loss"

Out of all the episodes I've watched so far, I like this one the most.  I like it because it establishes that Rygel is not someone who is always the butt of jokes, but a real character and a part of the Moya crew.  The animatronics on Rygel are very good and the rest of the cast do well in their attempts to get him rescued.

Things are looking good so far.

John
Creator, Producer, All Around God-Like Being
"What?  Too much?"

John S. Drew's picture

"Back and Back and Back to the Future"

This episode has so much going for it and yet the elements don't mesh together right somehow.  I can't quite put my finger on it.  The story is written by Babs Greyhosky, who wrote a number of episodes of The Greatest American Hero.  The visual effects are stunning.  I loved how they realized the destruction of the scientists' ship.  It was some of the best effects work I've seen in episodic television.  I liked the way the time distortions were handled.  I even thought that as a D'Argo-centered episode, Anthony Simcoe finally is starting to come into his own as the character.

And yet, despite all this, I found the story lacking.  I kept looking away from the episode and checking my watch, my email, etc.  I think the problem is that the story itself was a little too obvious.  I wasn't as surprised by this one as I was the previous episode.

It hasn't diminished my interest in the series.  I'm looking forward to the next episode which looks to be a Rygel-centered episode.

John
Creator, Producer, All Around God-Like Being
"What?  Too much?"

John S. Drew's picture

"Exodus from Genesis"

A very good episode.  I'm still not impressed with D'argo, but Aeryn was a much more solid character.  One thing I was disappointed not being addressed, which I hope it will be in a future episode, is how being a Sebacean Peacekeeper limits the areas of combat one can enter.  In looking at Rygel, I can't help but feel he'd fit in with the Muppets.  I know he's created by the Henson Workshop, but they should have gone out of their way to distinguish these characters from the Muppets and they fail with Rygel.  On the other hand, Pilot is fantastic.  We get a near full body shot in this episode and the realization is great.

 

As for the story itself, I can't but think how screwed the crew of the Moya would have been if Crichton were not among them.  They are quick to violent action, in particular D'Argo, but Crichton's taking a moment to analyze the situation helped save them all.  One might think that of all those gathered who have encountered other alien races, Crichton might shoot first and ask questions later.  Indeed, he admits to starting the conflict in the first place by squishing one of the bugs.  I'm still in for the long run and am looking forward to the next episode.

John
Creator, Producer, All Around God-Like Being
"What?  Too much?"

Two itty-bitty things

First, there are more people than me in the "you should give Farscape another try" peanut gallery.  I think it's a great show, but I haven't seen nearly as many episodes as other Riftians.

Second, are we to assume that you'll be watching the show one episode per week, on the day of the week that it originally aired?

:)

Okay, that's it!

*zips lip*

John S. Drew's picture

Actually...

I was referring to your question rather than your comment when I referred to you being in the peanut gallery.

But to answer your question, yes, I will be watching the show as it aired.  I think that will add to the experience.

John
Creator, Producer, All Around God-Like Being
"What?  Too much?"

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